The Black Power Mixtape examines the evolution of the Black Power Movement in the black community and Diaspora from 1967 to 1975. The film combines music, startling 16mm footage (lying undiscovered in the cellar of Swedish Television for 30 years), and contemporary audio interviews from leading African-American artists, activists, musicians and scholars. There will be a panel discussion after the film featuring documentary filmmaker Louis Massiah, political scholar Anthony Monteiro, and film archivist Kate Pourshariati immediately following the screening. The screening is on May 4 at 8:00pm at the Asian Arts Initiative. Tickets are $8 General Admission/$5 Student Admission. Purchase tickets in advance online at: brownpapertickets.com. You can also join this event on Facebook.
ABOUT THE FILM
The Black Power Mixtape is an archive- and music- driven documentary that examines the evolution of the Black Power Movement in the African-American community and Diaspora from 1967 to 1975. Combining startlingly fresh and meaningful 16mm footage that had been lying undiscovered in the cellar of Swedish Television for the past 30 years, with contemporary audio interviews from leading African-American artists, activists, musicians and scholars, Mixtape looks at the people, society, culture and style that fuelled a change. Utilizing an innovative format that riffs on the popular 70s mixtape format, the Black Power Mixtape is a cinematic and musical journey into the ghettos of America.
At the end of the Sixties and into the early Seventies, Swedish interest in the US Civil Rights Movement and the US anti-war movement peaked. With a combination of commitment and naiveté, Swedish filmmakers traveled across the Atlantic to explore the Black Power Movement, which was being alternately ignored or portrayed in the US media as a violent, nascent terrorist movement. Despite the obstacles they were confronted with, both from the conservative white American power establishment and from radicalized Movement members themselves, the
Swedish filmmakers did not cease their investigation and ultimately formed bonds with key figures in the BPM, based on their common objective of realizing equal rights for all.
Filmmaker Göran Hugo Olsson brings this newly discovered footage to light and introduces it to a new generation across the world in a penetrating examination – through the lens of Swedish filmmakers – of the Black Power Movement from 1967-1975, and its worldwide resonance.